Monday, February 15, 2016

Read up on how Blake Prize fnalists Bill Moseley & Joanna Logue achieved their collaborative artwork.

Tin Type Wet Plate Collodion by Bill Moseley & Joanna Logue 
Vol de Nuit 2014 Tin type collage on aluminium 95cm x 85cm 

One of Australia's longest and prestigious art prizes

13th February  -  24th April 2016

 1 Powerhouse Road Casula
10.00am - 5.00pm
Very excited to announce that artists Bill Moseley and Joanna Logue are finalists in the 2016 Blake Prize at Casula Powerhouse.

Their collaboration brought an artwork worthy of passing down through the generations. Two artists with distinct styles of portraying the worlds that they live in.

Collaborating at the HILL END PRESS studio, Central Tableands NSW

 Joanna is a landscape painter whose paintings are inspired by the landscape surrounding her studio in Oberon NSW. Joanna is interested in the tension created by the juxtaposition of shapes against the wider field and the placement of these forms within the picture plain. By doing away extraneous detail, her hope is that a kind of distillation might take place, where the essence of the landscape hums softly through.

For Bill it's about being drawn to the darkly romantic world of remembered imagery, the fallible memory and the persistence of myths. Having a great love for the antiquarian methods of photography for their qualities of timeless and uneasy beauty.

Combining these two great talents they created Vol de Nuit. The title is from the novel Antoine De Saint Exupery, and is a metaphor for the souls flight or journey through darkness to it's ultimate destination.

This essentially about finding meaning in the senseless void and risks taken in that quest.

Notions of death and immortality are inherent in any spiritual belief; the Kookaburra is simultaneously 'Natura Morta' and a symbolic spirit frozen in immortal flight.

The tin type process was invented by Archer in 1851, using sensitised collodion on either a black steel sheet for an 'instant' positive or else on glass as a negative for prints.

Tin type wet plate collodion workshops can be done at Hill End Press for all information go to

The Coalminers Daughter - Tin type collodion Finalist Mussellbrook photography

You can see more of Bill and Joanna's artwork on 

Curator and writer Gavin Wilson's landscape re imagined

On now at the Blue Mountains Cultural Centre

Fear of Forgetting

 Steven Cavanagh who was recipient of the Hill End Artist in residence program in 2010 and the National Art School residency in 2013 through Bathurst Regional Art Gallery has curated in partnership with Paul McDonald of CONTACT SHEET gallery an insightful exhibition, that challenges the way we see photography.

 Fear of Forgetting

Artwork by Julie Williams

invite you to join them in the opening of

Fear of Forgetting

Featuring the following artists

Steven Cavanagh, Janet Haslett, Sandra Kontos, Sky Wagner, Michael Waite, Jason Weissberger, Julie Williams.

Exhibition to be opened by 
Michael Snelling
Director of the National Art School

Sunday 21st February 2016

1.00pm - 3.00pm


Curated by Steven Cavanagh and Paul McDonald

Exhibition dates

17th February - 5th March 2016

60 Atchison Street |  St Leonards | NSW | 2065